FASCINATION ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They tend to be craving romantics, with this particular distinction: Buster appears to be a plausible mate, and the Tramp rarely seems to possess a libido, only idealized notions. If their comedies were produced in a far more liberated time, it is feasible to imagine Keaton in bed with a girl, but disquieting to think about the Tramp like a sexual